Category Archives: photography

Talking to Strangers: Lou Fischer

BuB motorcycle
The BuB streamliner motorcycle, piloted by Chris Carr, reached speeds in excess of 367 mph with a 3 liter, 500 horsepower turbocharged V4 engine on the Bonneville Salt Flats.

I was bicycling by starlight in the middle of the desert at midnight, 20 miles from anywhere in the middle of Goblin Valley Utah,  in late August.   Crossing deserts during the night is necessary when the daytime shade temperature is between 110 and 120F   (but there is no shade) and ground temperatures reach 150F before noon.  But it is also a treasure to ride in the desert at night:   the skies are the clearest of anywhere on the continent.  One day before the August full moon, I was riding by star and moon light alone.  Nobody was on the road. Cars would pass maybe once every half hour or two, and when they did, I could see their headlights ten minutes away, hear their roar minutes away.  I’d been riding this way, solo, for a few hours,   racing towards Moab Utah and Arches NP trying to arrive on my birthday and see the full moon rise over these incredible landscapes,   when I saw a parked car on the side of the road up ahead,  lights off, with it’s trunk open,   and a fellow standing next to it.

I should mention that,  when asking locals about what to expect,  before crossing the 100 miles of open Mojave desert a few weeks back,  from Joshua Tree  to the Colorado river,  multiple independent sources repeated several times “It’s where people go to bury bodies”,  or “Ever seen ‘the Hills have Eyes’?”.

But I saw his camera tripod, and no bodies. I had also benefited previously from a trucker who stopped and shared an ice chest of gatorade with me in the middle of the Mojave desert; here was an opportunity to pay it forward. And I was curious.

He certainly did not expect a jovial Gordon “hello, howdy! Are you okay, need any water?”.      Not when the loudest thing he’d likely experienced for his last hour was the click of his camera shutter,  sand underfoot, and what night creature sounds as occur in August, in the deep sand and sagebrush desert, at midnight. I tried to mitigate his shock by speaking from a respectful safe distance of 50 feet or so.

To say he was “Startled” would be an understatement.  We were in one of the most desolate places in the country, after midnight, in the dark. He’d probably felt himself the only person for miles,  ten seconds prior.  Bicycles riding by starlight are stealthy!  I saw him reassure  himself (discretely) of the location of a bottle of bear-spray on his hip,  his countermeasures.   I had sympathy for this;  I had done similar before hailing him.  We were both assessing each other. And then we talked.

We progressed quickly from threat-assessment  to rapport and shared enthusiasm. Two gearhead adventurers, alone in the middle of the desert at midnight talking under starlight .  We talked for over an hour.  Before I resumed bicycling,   he made me promise to message him before I arrived in Chicago, where he would host me.   He also took this picture of me,  which is one of my favorites of the whole trip:

Gordan
Photo by Lou Fischer. Gordon Kirkwood bicycle crossing Goblin Valley Utah through the night in late August.

Lou is a photography buff and documentary filmmaker, his youtube channel is “Bonneville Stories”.   Some of his work is linked below.   His brother held a land – speed record on motorcycles;  He was in town to document the fastest motorcycle in the world, the BuB streamliner motorcycle,   which reaches in excess of 360MPH  / Mach 0.5.    I often think of this encounter as one of the more rewarding “talk to strangers” lessons in good faith optimism… especially since pessimism could easily have prejudiced this introduction to nonexistence. It would have been easy to make an excuse to pass a car in a desolate area.

This story, from six years ago, came to mind in the context of two especially significant meetings this last week and next, discussing character development and education in science, technology, engineering and math with DARPA,  the Navy,   and a large private philanthropy whose director has honored me by asking for my input.  As I refine my thoughts I’m enjoying revisiting a few of these experiences which in retrospect seem like formative decision points or character building moments.    Stay tuned! 

CNC Bubble Iris Article Released

http://www.instructables.com/id/CNC-bubble-machine
Photo of the CNC Bubble Iris taken at Autodesk’s Pier-9 facility by Nathan Hurst, Editor at Make Magazine.

 

It is a real pleasure to see Make Magazine,  Hackaday, and Adafruit #ArtTuesday all re-blog the publication of the apparatus I’ve built to bring new precision, repeatability, and automation to the craft of giant soap bubble making.  Stay tuned for all the interesting things I’ll use this instrument for!

Controlling Lightning Morphology around and within the Same Flower during Kirlian or High voltage Photography

Artocarpus Altilis - the breadfruit tree's leaf.  test shot - with a DSLR - taken just prior to the large format analog film exposure. http://en.wikipedia.org/wiki/Breadfruit
Artocarpus Altilis – the breadfruit tree’s leaf. test shot – with a DSLR – taken just prior to the large format analog film exposure. http://en.wikipedia.org/wiki/Breadfruit

 

I’ve been home for but a week, and tomorrow I set out on a grand adventure of driving crosscountry in wintertime for a yet grander adventure  as an artist in residence at the incomparable Autodesk Pier-9 workshop.   Before I go though, I wanted to upload a few of the digital test shots I made while in hawaii this last month, shooting “Electrified Flowers (and leaves) of Hawaii“.

These were off the cuff test shots – throw-aways – done to check my exposure, check the electrical apparatus,  and visualize the pattern of branching lightning that I might be about to record onto expensive 20-square-inch large sheets of silver halide and color film.   These are not the final products of my project, rather mere teasers of work-in-progress.   (I have yet to develop that film, which I’ll do once I can settle into San Francisco.)   However,  I’m pretty ecstatic with the results, sofar!

One of the most exciting learning discoveries for me during this work is that I can significantly control whether lightning issues radially from the leaf,  or tangentially skirting around it,   or some mix between the two.    I’m looking forward to making an excellent explanation of how this works,  both practically and in detailed physical terms.  It will probably be a chapter of the book I’m working on, “Theory and Practice of High Voltage Photography”.

Congea Griffithiana,  Pink Sandpaper Vine,  a.k.a. Shower Orchid.  introduced relatively recently to Hawaii.  From the Amy B.H. Greenwell Ethnobotanical Garden.
Congea Griffithiana, Pink Sandpaper Vine, a.k.a. Shower Orchid. introduced relatively recently to Hawaii. From the Amy B.H. Greenwell Ethnobotanical Garden.
Pink Sandpaper Vine
Identical leaf as above, taken within about 10 minutes of each other, with a minor but significant change to the charging circuit. Note how different is the form of the lightning!!

 

variegatedleafB

 

 

“Electrified Flowers of Hawaii” Kickstarter succeeds at 227%

The “Electrified Flowers of Hawaii” project succeeded in raising more than twice it’s initial funding goal!  Consequently I am now in Hawaii where, for the next month, I will be studying the floral biodiversity of the Big Island using a large format film camera and apparatus I built myself, including a lightning machine (a Marx generator) capable of producing intense pulses of electricity at up to a quarter million volts.

Gordon Kirkwood selected as Artist in Residence at Autodesk’s Pier-9 Dream-lab.

“Giddy” cannot begin to describe my feelings upon learning,  on Thanksgiving,  that I have been selected to be an Artist In Residence at Autodesk’s Pier-9 dream-lab  in San-Francisco.

The concentration of brains,  initiative, creativity, and capability in that space is stunning. In close approximation to Tony Stark’s workshop (from the movie Iron-Man) — a dream-shop with some of the most capable robotic fabrication equipment and tooling in existence including 3D printers, water-jets, lasers engravers powerful enough to work with metal,  multi-axis milling machines, and more — it goes far beyond simple awesome tooling to be, from what I gather, a collegiate atmosphere where everyone is extraordinarily motivated to learn, make,  and do things that push the limits of creativity, and in a context where the expected norm is to share and disseminate knowledge through the Instructables knowledge sharing website platform.  Buzz Aldrin (Astronaut of Apollo XI moon-landing fame and the second person to walk on the moon after Neil Armstrong) was hanging out there testing a functioning magnetic repulsion hoverboard a few weeks ago,  for instance.    To be included in the cohort of selected artists for 2015 is a huge honor and inspires me to the grandest ambitions.  Thank you,  universe.  Thank you,  Noah.  Thank you, Vanessa.  Thank you, Mary.  Thank you, Karen.

PIER 9 AiR PROGRAM from Pier 9 on Vimeo.